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As originally composed by Orson Pratt Huish, Come Unto Jesus has a 6/8 rhythm. This arrangement changes the meter to 4/4 so that the piece can begin as a quiet prayer and end as a triumphant march, to match the content of Huish's text. Scored for SATB choir, a soloist can be used for the opening and closing phrases. The piano accompaniment becomes very full for the last verse, so a minimum of eight voices are suggested with larger choirs being more effective. The piece begins in A-flat and ends in A-major. The choral parts are not overly difficult; the piano accompaniment is more demanding. Tempo should be martial for the final verse, 116-120.
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