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There just is no denying the virtuostic demands of this Horowitz showpiece. What editing HAS been done is to remove and replace most of the flying LH octaves, using just the low or the high note, leaving the shape of the line intact, but eliminating all the leaping about. There are both American and European editions of this piece which are so laden with graphic information outside the realm of pitch initiation such that it is nigh onto impossible just to read this thing, given its key signature, which would NOT, as some might feel, have benefited from being transliterated into Eb minor. So, this is the best GateWay can do to make this WAY COOL piece at least accessible. Note that there are ZERO 10ths in the piece, and the octaves, whilst persistent, are as wide as you will have to span. Pedal it like a wild horse! MBB
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