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Here is the first of a set of nine modal inventions, each in one of three key signatures, no flats or sharps, five flats, or five sharps. This is in five flats, of course! A clear distinction between the subject and counter subject, with stretto at the ending. No trills or wide leaps. Put your thumbs on the C's and F's and the fingering will work itself out quite nicely. A short piece that can be played alone, with other pieces in the group, or as part of the entire set. Audio clip is complete and plays at the prescribed tempo. Can go slower, or faster as desired. MBB
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Felipe Gonçalves
Harpsichord
Edwin McLean
Michael Bomier
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