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In standard tuning EADG for once, another mid lower mid tempo track in the key of F#m with a heavy slant towards the blues scale, this is another example of Tim Commerford's economy or movement playing style. With the exception of a single slide up to the 7th fret on the A string this entire track is played within a 5 fret span. It's a good work out for the left hand, keeping it locked in that F# octave zone for the entire song while requiring some nimble string skipping to shape out the F#m 3rd run. As with all of Commerford's basslines you need a mixture of a really heavy right hand that can switch to a light, deft touch as needed to sit in the pocket and not overwhelm the quieter passages.
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