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Transcription and new edition of "Nun komm der Heiden Heiland", Chorale Prelude BWV 659 (Transcr. by Ferruccio Busoni), (Now comes the gentiles' Savior) (BWV 659, ca. 1708 - 17) as Played by Víkingur Ólafsson.Are you a passionate pianist looking for the perfect piece to play? Then look no further than 'Nun komm' der Heiden Heiland' (BWV 659) composed by Johann Sebastian Bach as played by Víkingur Ólafsson! This beloved masterpiece has been performed and admired by students, amateurs, and professionals alike! This sheet music features Ólafsson's interpretation of the tune, and is perfect for practicing and refining your playing. You'll appreciate his captivating style that still keeps true to Bach's original intent. Whether you need something to take your playing to the next level or to add a special atmosphere to a special occasion, this extraordinary piece of music is perfect! So don't miss your chance to experience the magic of Johann Sebastian Bach and Víkingur Ólafsson! Come play 'Nun komm' der Heiden Heiland'. It's sure to be an unforgettable experience!"Nun komm der Heiden Heiland", a compactly developed transcription from the church cantata of that name. Busoni stays close to the original but introduces an organ-like carpet of sound whose evocative density conjures up a cathedral acoustic.Youtube: https://youtu.be/6ANSfYZmiEcAdvanced Intermediate Format: Concert, 9 x 12 inches 8 pagesEdited with Urtext Kapellmeister Music FontsProgram NotesNun Komm der Heiden Heiland (Now Come, Saviour of the Gestlies) BWV 659 is a chorale prelude by Johann Sebastian Bach. It was composed in 1724 and is one of the most well-known and frequently performed of Bach's works. The prelude is part of the Neumeister Collection and was composed for organ. Nun Komm der Heiden Heiland focuses on the Latin text of a Martin Luther hymn of the same name which is based on a verse from the Book of Revelation. The prelude is a meditation in three parts. The first part is a slow chorale with a gentle melody interrupted by fermatas, while the second part is in a lively 6/4 meter and features a flowing accompaniment. The third part is a recapitulation of the themes presented in the first two parts. This is a typical example of Bach's artistry, combining elements of Lutheran hymnody with complex polyphonic writing. The piece evokes a sense of spiritual devotion through its emotional and harmonic phrasing. Nun Komm der Heiden Heiland is a powerful work which expresses the joy found in the coming of God's kingdom.
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