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6 Pieces after Bidel. 'The scents and colours of this garden pulse with love: Along with every rose, the nightingale's fluttering wing.' Bidel The title Par-feshani-ye 'Eshq (the fluttering wings of love) is taken from a text by the 18th-century Sufi poet Bidel. Each brief movement takes a couplet from the poem as inspiration, drawing on an extraordinary array of images - clay pots on waterwheels, a nightingale's fluttering wings, weighty fetters' links, the world's garden roses. The cycle is drawn together through the use of an Aghan-Indian raag (kaj dumi) which is heard in several guises - as bells, a nightingale's song, a singer's lament, and transformed into a gentle chorale. References to Stravinsky, Chopin and Berg, unusual in such a context, reflect other preoccupations during the composition of the work.
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