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This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions. Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.
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