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Renaissance composer Orlando Lasso was an international figure compared to other composers around his time. That is the reason he had two names, Lasso (Italian) and Lassus (German). I played with this fact and explored the possibilities of solfege La-sol. Lasso's bicinia is paraphrased several times in the piece. There is a timbral cannon toward the end where second cello strictly follows the first cello's gesture. It is then dissolved to an improvisatory coda to once again reveal the very theme "La-Sol".
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Enrico Macias
Instrumental Duet
W. A. Mozart
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I. Albeniz
Claude Debussy
The Beatles
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Anonymous
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Traditional
Joel R Hobbs
Patience & Prudence
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