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This piece (originally intitled) was transcribed by Oscar Chilesotti from a Sixteenth-century manuscript lute book. It is chosen here as a straightforward example of a common style of piece which was purely instrumental and unrelated to dance forms. The aim of the player is to bring out the contrapuntual (multiline) quality of the piece bycarefully sustaining tied and held notes for their value. It is important to recognize the original tune as it reoccurs in other voices. The "Fantasia" seems to sound well at a stately.
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