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Cole Porter's well-known 64-bar song mostly associated with Frank Sinatra. I have more often than not retained the composer's use of minim triplets in the original melody, rather than the syncopation used in Sinatra's version for instance. This cuts across the 4/4 rhythm, but can add dramatic effect. Full version can be heard on Soundcloud.
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Frank Sinatra
Piano Solo
Erik Satie
Stephen Schwartz
Ludwig Van Beethoven
Justin Hurwitz
Ludovico Einaudi
Leonard Cohen
Yiruma
Virginio Aiello
Yann Tiersen
G. F. Handel, J. Halvorsen
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